I explore the spaces inherently found correlating within certain dichotomies (self/other, temporal/timeless, truth/fiction, right/wrong). Resultantly, my praxis focuses on the inner and outer connections that can be made pushing at the edges of the barriers surrounding ‘sticky’ subjects (such as trauma, identity, love and death).

For the past 16 years, I’ve been integrating my life and work with social practice and community engagement, mostly through the use of interactive performance, photography, video, mixed media and sound. To exemplify this, WHAT IS LOVE (2016) investigates individual understandings and experiences of the word ‘love’, MIRRORFACE (2010) examines micro-expressions portraying ideas of strength in search of autonomous belonging, IT'S A SIGN (2013) depicts relics of colonial capitalism’s imprint on nature, HIT ME (2019) exposes gendered narratives found in the lyrics of popular songs and DEATH CONVERSATION GAME (2019-present) was created as a tool to help facilitate conversations on death. 

Born on The Farm in Tennessee, I was raised in Ontario and Zimbabwe. I currently reside on the unceded traditional and ancestral territories of the xʷməθkʷəy̓əm  (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations (Vancouver BC).

I (she/they) work from an intersectional feminist perspective valuing inclusion and equity, actively aiming for allyship with a continued commitment to unlearning, learning and unlearning again.